VICINI Pitch

 

http://harryclarkeasportfolio.blogspot.co.uk/

 

http://jessicadrewasportfolio.blogspot.co.uk/

 



VICINI Location

 

The location for my group's horror film opening, VICINI will be an everyday house in a small neighbourhood. This is where Mr. Vicini will be living and there will be nothing strange or horrific about the house, just a normal house. This will go against conventions and will make the film more realistic. It gives the audience the idea that it could be set in their house or home.

 

During the scene, Mr. Vicini will be in his kitchen preparing vegetables...



VICINI Promotional Poster and Mr. Vicini Sketch

VICINI Idea Mood Board

Mood Board for Horror

Initial Planning Ideas

VICINI Title



Production Company Video

 

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Production Company Name

 

My group and I decided our production company name should be called Psychedelic Productions. This is because we wanted to infer that our films mess with people's heads (through fear of course) and the word 'psychedelic' means

 

"Producing hallucinations that expand the mind..."

 

which works well with how we want to expand people's minds and make them believe in the scarily impossible. Harry, one of our group, made the logo in bold capitals so it stands out and used an old tree next to the writing. That and the blackness give it a gothic and dark evil feel.

This was another variation of the logo. The colour red symbolises blood which would make the audience think of death and murder.

My group also made a second company that could be in association with the other, Mountain Bru entertainment. In all honesty, the name is just made up from the two drinks, Mountain Dew and Irn Bru but we wanted to give the film a more realistic look with two companies instead of one.

 

http://harryclarkeasportfolio.blogspot.co.uk/

YouTube Documentaries on Horror

100 Years of Horror

https://www.youtube.com/watch?v=zbZNhGouvGg

 

Masters of Horror

https://www.youtube.com/watch?v=_tKYnMwyzm4

Audience Expectations From Horror

BBFC Certificate Rating 'R18'

The R18 category is a special and legally-restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults. Films may only be shown to adults in specially licensed cinemas, and video works may be supplied to adults only in licensed sex shops. R18 video works may not be supplied by mail order.

The following content is not acceptable:

• material which is in breach of the criminal law, including material judged to be obscene under the current interpretation of the Obscene Publications Act 1959 (see Annexe)

 

• material (including dialogue) likely to encourage an interest in sexually abusive activity which may include adults role-playing as non-adults

• the portrayal of sexual activity which involves real or apparent lack of consent. Any form of physical restraint which prevents participants from indicating a withdrawal of consent

 

• the infliction of pain or acts which may cause lasting physical harm, whether real or (in a sexual context) simulated. Some allowance may be made for moderate, non-abusive, consensual activity

 

• penetration by any object associated with violence or likely to cause physical harm

• sexual threats, humiliation or abuse which do not form part of a clearly consenting role playing game. Strong physical or verbal abuse, even if consensual, is unlikely to be acceptable

 

These Guidelines will be applied to the same

standard regardless of sexual orientation of the activity portrayed.



BBFC Certificate Rating '18'

 

 

 No one younger than 18 may see an 18 film in a cinema. No one younger than 18 may rent or buy an 18 rated video work. Adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:

• where the material is in breach of the criminal law, or has been created through the commission of a criminal offence

• where material or treatment appears to us to risk harm to individuals or, through their behaviour, to society. For example, the detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sadistic or sexual violence which make this violence look appealing; reinforce the suggestion that victims enjoy sexual violence; or which invite viewer complicity in sexual violence or other harmful violent activities

 

• where there are more explicit images of sexual activity in the context of a sex work (see below) or where the primary purpose of the images in question is sexual arousal In the case of video works, which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.

 

Sex education at 18

Where sex material genuinely seeks to inform and educate in matters such as human sexuality or safer sex and health, explicit images of sexual activity may be permitted.

Sex works at 18

Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed 18. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the R18 category. Material which is unacceptable in a sex work at R18 is also unacceptable in a sex work at 18.

(The Dictator, 18)

 



BBFC Certificate Rating '15'

 

No one younger than 15 may see a 15 film in a cinema. No one younger than 15 may rent or buy a 15 rated video work.

Discrimination

The work as a whole must not endorse discriminatory language or behaviour, although there may be racist, homophobic or other discriminatory themes and language.

Drugs

Drug taking may be shown but the work as a whole must not promote or encourage drug misuse (for example, through instructional detail). The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.

 

Imitable behaviour

Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Whether the depiction of easily accessible weapons is acceptable will depend on factors such as realism, context and setting.

 

Language

There may be strong language. Very strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the work as a whole and any special contextual justification.

 

Nudity

There are no constraints on nudity in a non-sexual or educational context. There may be nudity in a sexual context but usually without strong detail.

 

Sex

Sexual activity may be portrayed, but usually without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.

 

Threat

 

There may be strong threat and horror. A sustained focus on sadistic or sexual threat is unlikely to be acceptable.

 

Violence

Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but the depiction of sexual violence must be discreet and justified by context.

 

(The Last Exorcism, 15)

 



BBFC Certificate Rating '12' and '12A'

 

Films classified 12A and video works classified 12 contain material that is not generally suitable for children aged under 12. No one younger than 12 may see a 12A film in a cinema unless accompanied by an adult. Adults planning to take a child under 12 to view a 12A film should consider whether the film is suitable for that child. To help them decide, we recommend that they check the BBFCinsight for that film in advance. No one younger than 12 may rent or buy a 12 rated video work.

Discrimination

Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.

Drugs

Misuse of drugs must be infrequent and should not be glamorised or give instructional detail.

Imitable behaviour

No promotion of potentially dangerous behaviour which children are likely to copy. No glamorisation of realistic or easily accessible weapons such as knives. No endorsement of anti-social behaviour.

Language

There may be moderate language. Strong language may be permitted, depending on the manner in which it is used, who is using the language, its frequency within the work as a whole and any special contextual justification.

Nudity

There may be nudity, but in a sexual context it must be brief and discreet.

Sex

Sexual activity may be briefly and discreetly portrayed. Moderate sex references are permitted, but frequent crude references are unlikely to be acceptable.

Threat

There may be moderate physical and psychological threat and horror sequences. Although some scenes may be disturbing, the overall tone should not be. Horror sequences should not be frequent or sustained.

Violence

There may be moderate violence but it should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and its depiction must be justified by context.

(Harry Potter and the Deathly Hallows Part 1, 12)



BBFC Certificate Rating 'PG'

 

A PG film should not unsettle a child aged around eight or older. Unaccompanied children of any age may watch, but parents are advised to consider whether the content may upset younger, or more sensitive, children.

Discrimination

Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of, or in an educational or historical context, or in a particularly dated work with no likely appeal to children. Discrimination by a character with whom children can readily identify is unlikely to be acceptable.

Drugs

References to illegal drugs or drug misuse must be innocuous or carry a suitable anti-drug message.

Imitable behaviour

No detail of potentially dangerous behaviour which young children are likely to copy, if that behaviour is presented as safe or fun. No glamorisation of realistic or easily accessible weapons such as knives. No focus on anti-social behaviour which young children are likely to copy.

Language

Mild bad language only. Aggressive or very frequent use of mild bad language may result in a work being passed at a higher category.

Nudity

There may be nudity with no sexual context.

Sex

Sexual activity may be implied, but should be discreet and infrequent. Mild sex references and innuendo only.

Threat

Frightening sequences or situations where characters are in danger should not be prolonged or intense. Fantasy settings may be a mitigating factor.

Violence

Violence will usually be mild. However there may be moderate violence, without detail, if justified by its context (for example, history, comedy or fantasy).

 

 (Rango, PG)



BBFC Certificate Rating 'U'

A U film should be suitable for audiences aged four years and over, although it is impossible to predict what might upset any particular child. U films should be set within a positive framework and should offer reassuring counterbalances to any violence, threat or horror. If a work is particularly suitable for pre-school children, this will be indicated in the BBFCinsight.

Discrimination

Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of.

Drugs

References to illegal drugs or drug misuse must be infrequent and innocuous, or have a clear educational purpose or anti-drug message suitable for young children.

Imitable behaviour

Potentially dangerous or anti-social behaviour which young children may copy must be clearly disapproved of. No emphasis on realistic or easily accessible weapons.

Language

Infrequent use only of very mild bad language.

Nudity

Occasional nudity, with no sexual context.

Sex

Only very mild sexual behaviour (for example, kissing) and references to such behaviour.

Threat

Scary or potentially unsettling sequences should be mild, brief and unlikely to cause undue anxiety to young children. The outcome should be reassuring.

Violence

Violence will generally be very mild. Mild violence may be acceptable if it is justified by context (for example, comedic, animated, wholly unrealistic).

 

 (Winnie the Pooh, U)

 

 

 

 

 

 



Horror Film Production Companies

 

Hammer Film Productions was founded in 1934 in London. The company is best known for its 1950's-60's gothic movies such as the Dracula series, the Frankenstein series, The Bride of Frankenstein and The Mummy series. Hammer Films big success was down to the partnership it had with Warner Bros. The company's success eventually died out but was revived recently and this began the company's list of new hit horror movies like Wake Wood, The Women in Black and The Quiet Ones.

 

Twisted Pictures is an independent American film company which is most famous for the ever popular Saw franchise. It has also been responsible for the films Dead Silence and Texas Chainsaw 3D.

 

 

The last and most unknown of the film production companies I have chosen is Amicus Productions. Founded by Milton Subotsky and Max Rosenberg, this film company is based at Shepperton Studios in England. It has produced more films than Twisted Pictures but has had little success.



Iconic Sounds in Horror

Just a few iconic sounds you would typically hear in a horror film...

 

 

"Scream":

A scream or a desperate cry for help is a typical sound in horror movies. This is usually from someone who is in danger or presented with an overwhelming fear. A massive convention within horror films is when someone screams but the audience are never shown what they are screaming at or that someone screams off camera and by the time the characters get to the source of the scream, there is no one there. The most famous scream within the world of horror would have to be the famous Psycho scene (above). Screams or cries tells us when a character is scared or shocked which makes it relatable to the audience to scream along with the film. We see it as okay to be scared when others are too.

 

"Heavy Breathing":

When a character is in panic and the scene is at the highest point of tension, the character usually is panting or heavily breathing. This is due to the heart rate going up because of panic and the body thinking it needs more oxygen and so breathing becomes quicker. When a character is looking for danger or when danger is nearby, heavy breathing usually more present.

 

"Footsteps":

Most of the time, tension is built through the oncoming sound of footsteps caused by the 'evil' of the horror film. The sound of footsteps getting closer implies evil approaching and this would make the audience feel as if whatever is in the film is coming for them in reality. This sound would tie in a lot with heavy breathing in its build-up of tension.

 

"Silence...":

Sometimes the worst sound of all is none at all. When we can't hear anything, it can be quite disturbing and through convention, audience members know that after silence something may jump out at them and scare them so we prepare ourselves to be scared in a way. The sound of silence is probably one of the worst things to hear in a horror film and is more frightening then any sound possible. Some films use silence in their titles and even then it sounds frightening: Dead Silence, Silence of the Lambs, The Silent.



A Nightmare on Elm Street Opening Analysis

'The Stepfather' Still Frame Analysis

 

This is a still from the remake of The Stepfather. The Stepfather is a film my group are basing our ideas on for or horror opening. In this still, we see Grady Edwards, the main characters and 'stepfather' of the story. We can immediately tell that he has the qualities of a killer as he is holding a knife in the way in which you would stab something or skin an animal. Despite the knife, he is dressed in rather casual clothing. This counters the conventions of what we perceive a killer to be and strikes fear into the audience as someone they know who looks like an ordinary person could be capable of killing.

 

The sweat on his the front of his top shows he is either stressed or been working hard. He may be stressed due to how difficult it is to kill his victims. His hair is also sweaty which gives the real sense that he has been struggling and is desperate to get rid of someone. He is in a sort of 'wild west' stance like he is about to duel or engage in a struggle with someone. We can infer that someone may try and resist his actions. The scenery around him is typically of a household where we infer a family lives. The whole idea of The Stepfather is that someone who could even be part of your family, could be a cold hearted killer which the audience would find frightening since the story of The Stepfather could be real.

 

This is the kind of film I would like for my group's horror opening: a horror film that could be real.